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Moon Knight Faces The Past In New Marvel Pull List

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The Marvel Universe is exploring the past and the present in their new pull list. Carnage continues his rampage, the heroes mourn Kamala Khan, the X-Men are returning to Krakoa, and Moon Knight is going to face threats from both the past and present.

“This week will also see Moon Knight’s past and present collide, leading into his first event series! In Jed MacKay, Alessandro Vitti, and Alessandro Cappuccio’s MOON KNIGHT (2021) #25, the past comes back to bedevil Moon Knight as he pursues his latest enemy, someone once familiar and new,” Marvel said on their website. “From grim New York nights to the blazing sun of Alexandria days, Moon Knight hunts for answers among the graves of Hart Island while haunted by the last mission of the Karnak Cowboys, a mercenary crew counting among its members Marc Spector, Jean-Paul Duchamp, Robert Plesko… and Layla El-Faouly. Plus: A classic Moon Knight story from the past by Doug Moench and Bill Sienkiewicz!”

They revealed the list online:

New Comics

  • FALLEN FRIEND #1
  • GROOT #3
  • IMMORTAL X-MEN #13
  • LOKI #2
  • MILES MORALES: SPIDER-MAN #8
  • MOON KNIGHT #25
  • PLANET OF THE APES #4
  • RED GOBLIN #6
  • ROGUE & GAMBIT #5
  • SCARLET WITCH #6
  • STAR WARS: BOUNTY HUNTERS #36
  • STAR WARS: DARTH VADER #36
  • THE AMAZING SPIDER-MAN #29
  • WARLOCK: REBIRTH #4
  • WEB OF CARNAGE #1
  • WHAT IF…? DARK: LOKI #1
  • X-FORCE #42
  • X-MEN: DAYS OF FUTURE PAST – DOOMSDAY #1

New Collections

  • DOCTOR STRANGE BY DONNY CATES TPB
  • FANTASTIC FOUR BY RYAN NORTH VOL. 1: WHATEVER HAPPENED TO THE FANTASTIC FOUR? TPB
  • MARVEL MASTERWORKS: CAPTAIN AMERICA VOL. 15 HC
  • MARVEL-VERSE: SPIDER-WOMAN GN-TPB
  • MIGHTY MARVEL MASTERWORKS: THE AMAZING SPIDER-MAN VOL. 4 – THE MASTER PLANNER GN-TPB ROMERO COVER
  • SPIDER-MAN: NO WAY HOME – THE ART OF THE MOVIE HC
  • STAR WARS LEGENDS EPIC COLLECTION: TALES OF THE JEDI VOL. 3 TPB
  • SUPERIOR SPIDER-MAN OMNIBUS VOL. 1 HC STEGMAN COVER
  • THE DEFENDERS OMNIBUS VOL. 2 HC MILGROM COVER

Marvel Unlimited

  • AVENGERS: WAR ACROSS TIME (2023) #4
  • CAPTAIN AMERICA: SENTINEL OF LIBERTY (2022) #11
  • COSMIC GHOST RIDER (2023) #2
  • GHOST RIDER (2022) #13
  • I AM IRON MAN (2023) #2
  • IMMORAL X-MEN (2023) #3
  • JOE FIXIT (2023) #4
  • PLANET OF THE APES (2023) #1
  • ROGUE & GAMBIT (2023) #2
  • SCARLET WITCH (2023) #4
  • SPIDER-GWEN: SHADOW CLONES (2023) #2
  • SPIDER-MAN (2022) #7
  • STAR WARS (2020) #33
  • STAR WARS: HIDDEN EMPIRE (2022) #5
  • THE AMAZING SPIDER-MAN (2022) #23
  • VENOM (2021) #18
  • WOLVERINE (2020) #32

All of these titles will be available in print or digital on July 12, 2023.

UPDATE: Tomy Is Crowdfunding A 1:10 Scale BTTF DeLorean On Kickstarter

UPDATE:

The official Kickstarter page launched today, complete with pricing and more details.

The pricing is far better than we thought. The VIP Early Bird DeLorean (with a 3″ Einstein) is $299. However, only 6 of these are left at this price!

Once those are sold out, you’ll need to go to the next tier, which means buying multiple DeLoreans at $200 and $500 discounts. Act fast!

The expected ship date is October 2024.

Photo Credit: Tomy
Photo Credit: Tomy

THE ORIGINAL STORY CONTINUES BELOW.

Tomy has announced that it will be crowdfunding the production of a 1:10 scale replica of Doc Brown’s DeLorean Time Machine! That news comes with a lot of potential, good and bad.

Starting tomorrow, July 11th, those who signed up will have a chance to “pre-order” their Time Machines on Kickstarter. I put pre-order in quotes because I’ve always been nervous when a company uses that term when it comes to crowdfunding. If the campaign fails, you didn’t pre-order jack squat!

That aside, the 17″ long DeLorean does look good. It also has features that weren’t even on the Eaglemoss model that cost $1,500. I should know I built that model over three years via the subscription service! One such feature is that smoke will emit from the rear vents.

Other than that, it has the types of bells and whistles you’d expect: LED lighting, die-cast metal parts, and so on.

One of Tomy’s best selling points is that the Time Machine will fit 7″ Marty McFly and Doc Brown figures. Tomy is most likely referring to NECA’s line of 1:12 scale figures.

On the downside, we still don’t know what the overall price will be. People who sign up for early access will get $100 off the replica, which tells me this thing may be close to the $1,000 range. If so, that puts it higher than Hot Toys‘s larger 1:12 scale DeLorean.

In an e-mail I received this morning, 13,428 other people have signed up to receive the discount. We’ll update the story tomorrow once we find out the final price of this potentially excellent replica.

I have no previous experience with Tomy’s other scaled replicas aside from the ERTL line. It’s hard to say how this will turn out, especially when the company gives us so little information.

[Source: Tomy]

Review: My Adventures with Superman Premiere – Shonen Supes

The story of Superman has been told in so many ways since the character’s debut back in 1938. Most people who are into pop culture or have heard about Superman know the basics of his origin and supporting cast. So it can be tough to find ways to tell the story about him that doesn’t already feel like retreaded territory. But luckily, My Adventures with Superman is a fun and action-packed interpretation of the man of steel through the lens of a shonen anime. You might know all about Superman, but you haven’t seen his story done in this way before. And luckily for everyone, it’s a fun and interesting take that works.

The premiere episodes for My Adventures with Superman take the man of tomorrow to his earlier years after growing up on Earth with his parents in Smallville. Clark Kent begins his job at the Daily Planet and crosses paths with Lois Lane and Jimmy Olsen for the first time, and we see the budding of a beautiful friendship and romance that will eventually become legendary. Yet at the same time, this is a Clark Kent coming to understand his powers and his origins from the planet Krypton. And as Clark comes to better understand who he is, a growing threat lurks in the shadows that somehow ties into Superman himself and will inevitably collide with the man of steel.

Though the bullet points for Superman’s origin story are touched on, the show does a good job of giving it a flair of anime action that makes things look interesting. Superman even gets his own transformation sequence that is very inspired by ones from classic shows like Sailor Moon and Yu-Gi-Oh. For many big Superman fans out there, some of the design of Clark’s suit and the Kryptonian tech he encounters may not be as likable. There’s a big emphasis on making the technology of Krypton feel almost magical in nature, blending both mythical and technological elements together for the sake of looking cool. It’s a style that is very much in-line with anime shows that aren’t for everybody.

But what will work with everyone who watches the show is the relationship between Clark, Lois, and Jimmy. If you’ve seen any anime series that is considered shonen (heavily focused on action and geared towards a young male audience), then you’ll recognize many aspects that are consistent in the genre. Lois and Clark have an instant connection that is played for a “will they, won’t they” gag often, but their connection feels heartfelt and cute. We know they’re going to end up together somehow, but the back and forth with them in various situations is good to see unfold.

Jimmy Olsen is comedic relief and a fun friend to both Lois and Clark, yet also teases both in a way that feels like a matchmaker for the two. But Jimmy fills the role of the typical anime best friend that is both funny and supportive when it matters. For a new take on the Superman mythology, it’s good to see Jimmy take a more active role that nudges Lois and Clark in the directions they end up moving, while also standing out in his own way.

While there will be more as the series goes on, there aren’t many antagonists for Clark in My Adventures with Superman at the start. Subtle hints at classic Superman villains and DC Universe bad guys are present, which will eventually pay off into something bigger. The show does a good job of establishing the core group of heroes we want to root for, but it will take more time to build up truly solid bad guys to stand against Superman.

While there is no sign of Lex Luthor, the most popular Superman villain, the show does a good job of reinterpreting characters such as Live Wire. Again, the basics of the character are there but given a bigger visual upgrade that makes her look even more powerful. Though not a crazy battle, it does give us a chance to show how strong Superman can be when he’s finally in the full suit.

Speaking of which, the moments where we see Clark unleash his power look great. Before he puts on the iconic suit with the big S shield, Clark gets to fight giant robots that show how strong he can be. Everything from his super speed, super strength, and vision looks very good. The anime aesthetic gives a grand presentation of Superman flexing his power, with all the flashiness you expect to see in an anime action series like this. While the glow of both the S-shield and his suit might be a bit much for some fans, it does fit with the new stylistic take that the show is going for with the character.

Even if you’re not into watching anime, you should give My Adventures with Superman a chance. The first two episodes give a good idea of what to expect from the rest of the show and spotlight how good Superman can be with this kind of visual style. The action looks great and is fun to see, and the characters are likable and will grow on you even more as the story goes on. It might not be the Superman you grew up with or have known for years, but the essence of what makes the man of steel so beloved is definitely there.

What do you think of My Adventures with Superman overall? Have you gotten to see the show yet? And what characters do you hope to see in the future? Tell us about everything down below in the comment section!

GKids Announces Sports Anime ‘The First Slam Dunk’ North American Release Date

‘The First Slam Dunk’ is a 2022 basketball anime film produced by Toei Animation and Dandelion Animation Studio. The animated feature film is coming to North American theaters thanks to a distribution deal with GKids.

“GKIDS, celebrating its 15th anniversary as a producer and distributor of award-winning and artist-driven animation from around the world, and globally acclaimed and industry-leading animation studio Toei Animation, announced today that they will bring THE FIRST SLAM DUNK to theatres nationwide in the United States and Canada starting July 28tk,” GKids said on their website.

They also announced an English Dub cast which will include:

  • Ryota Miyagi – Paul Castro Jr.
  • Hisashi Mitsui – Jonah Scott
  • Kaede Rukawa – Aleks Le
  • Hanamichi Sakuragi – Ben Balmaceda
  • Takenori Akagi – Aaron Goodson

Since its release, ‘The First Slam Dunk’ has won several accolades including the Japan Academy Prize for Animation of the Year at the 46th Japan Academy Film Prize and the Okawa-Fukiya Award at the Niigata International Animation Film Festival 2023. During its run in Japan, the fifth highest-grossing anime film of all time.

You can watch the trailer below:

‘The First Slam Dunk’ is written and directed by Takehiko Inoue, who also wrote and illustrated the manga during its initial run. It was published in the pages of ‘Weekly Shōnen Jump’ magazine from October 1, 1990, to June 17, 1996. It is the seventh best-selling manga series in history.

Wikipedia describes the synopsis as follows,

“The film follows Ryota Miyagi, the point guard of Shohoku high-school’s basketball team. He had a brother, Sota, who was three years older than him, and who inspired his love for basketball. Ryota and his teammates Hanamichi Sakuragi, Takenori Akagi, Hisashi Mitsui, and Kaede Rukawa challenge the inter-high basketball champions, the Sannoh school.”

The Japanese cast includes voice actors Shugo Nakamura, Jun Kasama, Shinichiro Kamio, Subaru Kimura, Kenta Miyake, Maaya Sakamoto, Ryota Iwasaki, Chikahiro Kobayashi, Masafumi Kobatake, and Kenichiro Matsuda.

Review: Mission Impossible Dead Reckoning Part 1 – Fierce Action

Mission Impossible movies almost always get bigger and crazier with each subsequent film that is released. And after so many years, it’s impressive to see popular actor Tom Cruise still have the mettle to do his own stunts in an action-packed film that is fun to watch. Mission Impossible Dead Reckoning Part 1 keeps the momentum going and shows that Tom Cruise doesn’t have any plans of stopping anytime soon. The missions are high-stakes, the stunts are exciting, and the promise of more to come makes the first part of a bigger story very intriguing. This is definitely a mission you should choose to accept watching if you’ve been with the series for so long, but still just as great for anyone who just loves to have a good time watching a movie.

The first part of Mission Impossible Dead Reckoning has Ethan Hunt and the rest of the team at IMF taking on a mission to find a special key that unlocks a powerful weapon. The various world superpowers, including the US government, are racing to get the key and gain control of the weapon that has the ability to control information and shape the future in various ways through the use of computer A. I. system. If Ethan and the IMF don’t get to the key first, whichever country or powerful organization will be able to shift the balance of world power in their favor. But in the midst of all that, Ethan will have to face a longtime enemy, gather new allies, and make the choice if the lives of his loved ones matter more than the fate of the world they live in.

If there’s one thing that Mission Impossible Dead Reckoning Part 1 falls short on, it’s how elements of the story can get lost in all the craziness. A lot of characters come in and out of the plot, and their motivations and significance to Ethan’s mission isn’t always clear. Pom Klementieff, who plays the assassin Paris, appears suddenly in the movie and frequently goes after Ethan and his newest ally Grace, played by Hayley Atwell. And while the confrontations with her are great, the majority of the movie doesn’t give much to her backstory or place here, at least until the very end where things are still not fully detailed.

The same can be said for a few other characters that chase Ethan and the IMF across the globe, such as the agents Eugene and Davis. They are there when the plot needs them to be around, but don’t expect a lot of details as to why. The movie is more focused on getting pieces in place to set up big action sequences and tense moments where things are moving forward, rather than dragging on any details.

The same can also be said of Ethan’s allies in the IMF. Both Simon Pegg and Ving Rhames reprise their roles as Benji and Luther from previous films, as well as Rebecca Ferguson as Ilsa. Luckily there’s a bit more backstory and setup given at various points of the story that give more importance to each member, so you don’t feel like you’re missing out on anything when they’re involved. The newest member of the group, Grace, has a neat introduction that brings her and Ethan together in both a comedic and clever way that feels on-brand for the series. Nothing feels ham-fisted with her coming into the story, and the payoffs for some of the dialogue and references between her and Ethan are fun to see unfold.

But everything mentioned is a supporting part to the action sequences that you get in Mission Impossible Dead Reckoning Part 1. They are fantastic in every way possible. Everything from car chases, shootouts, and even Tom Cruise running across a distance are done with an element of style and in service to the viewing experience. There are sequences that involve a train and Ethan jumping off a cliff with a motorcycle from the trailers that are every bit as epic as you imagine they would be. The choreography in the hand-to-hand combat is fierce and the explosions from big moments throughout look incredible.

Even if you never knew that most of the action scenes were done practically or that Tom Cruise was doing his own big stunts, you’d still be impressed at how fun they are to watch on screen. And while the movie has its moments where things slow down to explain important parts of the plot, there’s a lot of action throughout that keeps the momentum going where it counts.

For some, it will be disappointing to know that this is only the first part of a larger story, so there’s no true conclusion here. Mission Impossible Dead Reckoning Part 1 does however give an ending that doesn’t feel incomplete or have a quick cut to the end credits. This is a nice change of pace to see with big blockbuster movies that aren’t afraid to be open about being part of something larger.

Here it’s done in a way where the audience can feel like they’re still getting a full story, along with a promise of more to come later. You’re still getting a complete Mission Impossible movie with all the bells and whistles you want to see, but things aren’t done with this particular story just yet. Whether the eventual release of Mission Impossible Dead Reckoning Part 2 will help make this movie stronger in hindsight depends on the quality of that future sequel.

If you want a fun time watching a solid action movie, you’re getting that in spades with Mission Impossible Dead Reckoning Part 1. Despite it being the first part of a bigger story, the movie is a wild ride that has some great moments you’ll enjoy. Some bits of the story might seem a bit too unbelievable at times, but that doesn’t overshadow or bring down the experience of seeing this action-packed spy movie. By the time this movie finishes, you’ll definitely be ready to accept the mission for Part 2.

Are you going to see Mission Impossible Dead Reckoning Part 1 any time soon? What is your favorite Mission Impossible movie and your favorite Tom Cruise stunt? Tell us about everything down below in the comment section!

Mondo Announces A Designer Godzilla Figure By James Groman

Monda has announced it is taking pre-orders for a designer-made Godzilla vinyl figure. The squat and angry-looking King of the Monsters was designed, sculpted, and painted by James Groman.

The specialty Godzilla is limited to only 750 pieces and is priced at $250 each. The figure has limited articulation but does come with swappable parts.

This Godzilla, while not explicitly stated, looks to be based on the final showdown in 1995’s Godzilla vs Destoroyah. Godzilla melts down during the battle, losing all of his tissue and muscle before dying.

Check out his Instagram account for more of James Groman’s designs, including Batman, Man-Thing, and Madballs.

One of our favorite toy designers (and artists, period), James Groman’s first Mondo figure was the mind-boggling Marvel’s Man-Thing. We’re excited to show off his next extremely detailed creation: the Godzilla – Vinyl Designer Figure. Strictly limited to an edition of 750, this massive soft vinyl figure measures in at 12″ tall and 21″ wide. With a fully swappable battle damage head, arm, and tail, this Big G features multiple incredible looks for display.

The 12″ tall, 21″ wide Godzilla comes with the following:

  • Swappable battle damage head
  • Swappable battle damage arm
  • Swappable battle damage tail

Mondo has a pretty extensive collection of Godzilla merchandise, including vinyl albums and several statues based on the classic Toho movies. Hell, they’ve even got a ‘Zilla from the ’70s cartoon series!

The merchandise isn’t limited to just the King of the Monsters. Mothra, Hedorah, Biollante, Jet Jaguar, and North Korea’s Pulgasauri are also present.

Over the past couple of years, we’ve seen a vast increase in the number of Godzilla-related collectibles. Which ones are you looking forward to? Let us know in the comments section below.

[Source: Mondo]

Keaton’s Batman Returns In S.H.Figuarts’s ‘The Flash’ Line

Let’s get nuts. Tamashii has announced that Michael Keaton’s Batman (as he appears in The Flash) is the latest DC hero to join the S.H.Figuarts line of premium action figures.

Keaton’s Batman looks damn good. Even though the new outfit has much less yellow (the utility belt), there’s no mistaking this Caped Crusader from anywhere else than Tim Burton’s universe.

Oddly, Batman is very light on accessories. He comes with two batarangs but no grapnel gun. Expect to see a bunch of 3D print files show up to fill out Batman’s arsenal.

On top of a few interchangeable hands and a posable cape, Batman also comes with two different heads. One features Keaton’s entire face.

The unmasked Keaton face looks a bit weird, but the photos are said not to be from the final product. Hopefully, this gets sorted out before these expensive figures start shipping out.

Pre-orders for Batman started on July 3rd, and the expected ship date is November 2023. The Dark Knight is listed as being 8,800 Yen, which is roughly $62. However, most S.H.Figuarts toys typically get priced around $80-$90 when they arrive in hobby stores.

For example, this figure is over at the Big Bad Toy Store for $83.99.

Keaton’s Batman S.H.Figuarts figure will come with the following:

• Interchangeable unmasked head
• Interchangeable collar parts
• 4 pairs of interchangeable hands
・ Batarang x 2
・ Prop for cloak x 2

After building multiple Bandai Batmobile models, I’d love to see the company make 1:12 scale vehicle model kits for S.H.Figuarts. I’d gladly pay $150+ for a to-scale ’89 Batmobile that could fit this Batman.

What do you think of Keaton’s return? Let us know in the comments section below.

[Source: Tamashii]

Review: Joy Ride – Try Hard Goofs

Raunchy comedy can have its place in entertainment, making light of crude parts of life and turning the thought of them into a genuine laugh. But that only happens if the jokes are timed carefully and made with an authentic goal of bringing everyone in on the joke. On the other hand, when not done well, raunchy and crude humor can become annoying, uninteresting, and feel like someone is trying too hard to get a laugh out of you. That’s the biggest problem with Joy Ride as a movie. While its premise is something that could be a hilarious turn of events, instead turns into a mess that feels inauthentic. Though it has some moments that will be funny for some, the movie often feels like it’s trying way too hard to catch a laugh from the audience.

The story of Joy Ride is about a young woman named Audrey, who travels to China with her childhood friend Lolo, along with two other companions. While trying to close a business deal for her high-class job, she ends up going on a goofy journey of self-discovery that will throw the group into some outlandish situations. Though there’s tension with some of the group at first, and a lot of awkwardness, the four of them become close through a series of crazy events that help each of them come to terms with various aspects of their identity and personal lives. At face value the story of the movie sounds interesting and heartfelt, having a similar premise to 2017’s Girl’s Trip, but is ultimately overshadowed by a lot of humor that simply won’t land for some viewers.

Despite a few that land at the start, most of the jokes throughout the movie fall flat. There’s an imbalance of racial and raunchy humor from start to finish, with a breakneck pace towards the middle and latter portion of the story. Things start off with an almost mean-spirited approach to race, which is then quickly dropped almost entirely when Audrey and the group travel to China. There are some light callbacks here and there towards the end, but nothing feels like it comes full circle with some jokes. Nor is there a sense of conclusion for some things that are brought up. The jokes are just thrown in there for a cheap jab to one group or another, and it doesn’t always feel funny.

The same goes for the edgier jokes about sexuality and the crazier parts about having sex. There’s not always a build-up to what could be hilarious, but rather a random pop-in joke that sometimes goes on for way too long than it should. At one point, Audrey’s friend Lolo gets into a whole conversation about the sounds of sex with basketball player Baron Davis that starts off silly and quickly becomes annoying to watch. It just isn’t as funny as the movie is aiming for it to be, which is then offset by a series of events of the group all having goofy moments parallel to one another. A few little moments will get a laugh out of you, but there’s never a consistent flow of jokes that make everything stay funny. There’s also a section of the film that randomly throws some nudity into the mix. It’s a callback to a joke said earlier, but it happens seemingly at random and feels out of place, rather than witty and smart with how it’s handled.

While most of the cast does the best they can with the material they’re given, their delivery of the jokes and reactions are often hit & miss. Audrey and her college friend Kat (played by Ashley Park and Stephanie Hsu) have some preppy interactions as long-time college buddies, while Lolo and her cousin Deadeye (played by Sherry Cola and Sabrina Wu) have chaotic and awkward conversations. They all mix and match with each other at various times, with a wide range of results that don’t always appear funny. When the four are together playing off one another, things work out pretty well. But when split into pairs during the movie, sometimes things become dull or fall flat when they’re trying to be funny, even in the most outlandish and goofy points involving raunchy jokes.

The movie also has an issue with pacing and tone in some sections that feel like whiplash. There’s a whole section of the movie that tries to be serious or heartfelt when the group is traveling around China that feels out of place. While a movie like this needs moments to wind down in-between jokes, there are times when things appear to be from a different movie altogether before slamming into the next humorous section. For some, this might not be a big deal, but for others, this won’t work out that well.

By the time Joy Ride comes to an end, you might not laugh as much as you would like to. A lot of the jokes don’t always land as they should, and instead come off as annoying. But if you can get over some of the awkwardness and shallow points of this story, you might find some enjoyment in watching Joy Ride. But for better jokes and similar handling of this story premise, you may have to look elsewhere.

What do you think of Joy Ride? Will you be watching the movie anytime soon? Let us know your thoughts about Joy Ride down below in the comment section!

We Used ChatGPT To Generate A “Better” Indiana Jones Sequel

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A few months ago, we tasked ChatGPT with generating a hypothetical Star Wars trilogy treatment, and it spat out interesting, if not somewhat derivative, ideas. However, those suggestions were far more fan-centric than what Disney’s Lucasfilm delivered. So, this past weekend I crafted a scenario for OpenAI‘s ChatGPT. I asked it to create a treatment for an Indiana Jones sequel set in the 1960s.

I had some conditions for my request. I stated that the treatment could not pull from previous films, novels, comic books, video games, or the Young Indiana Jones TV series.

In addition to the requirements, I added that the story generated would have to be one that would exceed the box office of Indiana Jones and the Dial of Destiny. Here is what it came up with:

Title: Indiana Jones and the Emerald Enigma

Treatment:

Introduction: “Indiana Jones and the Emerald Enigma” takes audiences on an exhilarating adventure in the late 1960s, as renowned archaeologist Indiana Jones is thrust into a race against time to uncover the truth behind a legendary emerald with mysterious powers. This film combines thrilling action, historical intrigue, and a touch of the supernatural to create a story that captivates audiences and surpasses the box office success of the 2023 release.

Act 1: The film opens with Indiana Jones receiving a coded message from an old friend and fellow archaeologist, Professor Eleanor Sterling. The message hints at the existence of an ancient emerald known as the Emerald Enigma, rumored to possess the ability to manipulate time. Realizing the danger such power poses in the wrong hands, Indiana embarks on a global journey to find the Emerald Enigma before a notorious international art thief, Remy Leclair, can seize it.

Act 2: Indiana’s pursuit takes him to exotic locations, from the bustling markets of Marrakech to the mystical temples of Angkor Wat. Along the way, he encounters unexpected allies, including an enigmatic historian named Charlotte Sinclair, who possesses vital information about the emerald’s origins and its connection to an ancient civilization. As Indiana and Charlotte decipher ancient texts and solve intricate puzzles, they unearth a conspiracy that reaches the highest levels of global power.

Act 3: In the climactic third act, Indiana and Charlotte confront Remy Leclair in a thrilling showdown at an ancient temple hidden deep within the Amazon rainforest. The temple is revealed to be a portal through time, and Leclair seeks to control the Emerald Enigma to reshape history in his favor.

Indiana engages in a perilous battle with Leclair, utilizing his wit, agility, and signature whip skills. Meanwhile, Charlotte, armed with her extensive knowledge of the temple’s mechanisms, races against time to deactivate the emerald’s powers and prevent its misuse.

Epilogue: Indiana emerges victorious, thwarting Leclair’s plans and securing the Emerald Enigma. Recognizing the potential danger it poses, Indiana and Charlotte make the decision to entrust the emerald to a secret organization dedicated to safeguarding ancient artifacts. Indiana bids farewell to Charlotte, acknowledging their shared admiration and the impact of their partnership.

The film ends with Indiana reflecting on the importance of preserving history and the constant struggle against those who seek to exploit its power. As he sets off into the sunset, a hint of future adventures awaits, ensuring the timeless spirit of Indiana Jones lives on.

Conclusion: “Indiana Jones and the Emerald Enigma” would have outperformed the 2023 release by presenting an original and captivating storyline set in the late 1960s. This treatment combines the essence of the Indiana Jones franchise with a fresh time-travel twist and a powerful artifact shrouded in mystery. By incorporating historical and supernatural elements, thrilling action sequences, and a rich tapestry of global locations, the script would have enthralled audiences, reigniting their love for Indiana Jones and surpassing box office expectations.

OK, the story is a tad generic, and it recycled the Dial of Destiny MacGuffin. I like the idea that the villain is an art thief rather than recycling Nazis or Russian Communists again.

Remy Leclair could make for an interesting counterpoint to Indy. Rather than trying to preserve historical artworks, Leclair could use time travel to make artists create multiple copies to sell on the black market.

This would be similar to Count Scarlioni’s plan in the classic Doctor Who story “City of Death.” Hell, have Julian Glover cameo in the film as an art dealer. That would please Whovians, Star Wars fans, and Indiana Jones fans.

This sounds more like an adventure that younger Indy would have gone on rather than the slower, older Dr. Jones. However, nowhere does the treatment try to downplay Indiana Jones’s heroism or previous deeds, a trend we see far too often in current sequels and reboots.

Just for the hell of it, I asked craiyon.com‘s DALL-E AI to make a movie poster for Indiana Jones and the Emerald Enigma. It turned out to be nightmare fuel:

Could AI be a helpful tool in Hollywood? Yes. Without a doubt. Could it replace writers? No.

Like any other tool, AI has its limitations. It lacks a soul, but then again … so does a lot of modern writing. Although AI could cut through the weird cynical, and hateful rut, many Hollywood writers are currently in; it will never replace the power of our imaginations.

[Source: OpenAI]

Rip and Tear Into This DOOM Dark Lord Statue

The Ancient Gods DLC for DOOM Eternal introduced us to Davoth, the Dark Lord of Hell. He proved to be quite the formidable opponent for the DOOM Slayer. Now the supreme ruler of the forces of darkness can come to your home for a price.

Bethesda Gear has announced that Davoth, in his battle armor, is the newest addition to the company’s collection of DOOM statues. He is represented here as a 9″ tall armored badass. He comes complete with the Crucible sword and shield.

The Dark Lord is made from hand-painted polyresin, complete with translucent parts but no lighting effects. That’s unfortunate because I’m sure this guy would look amazing lit up with red LEDs.

Pre-orders for the Dark Lord statue are currently open. Davoth is limited to only 800 pieces. The figure will set you back $150 or (4) interest-free payments of $37.50 through Klarna.

The expected ship date is August 2023.

The DOOM Dark Lord statue will come individually numbered and includes a Certificate of Authenticity.

DOOM DARK LORD STATUE
Photo Credit: Bethesda Gear

I’m wondering when a DOOM Slayer companion statue will come out. The boxart hints at a diorama. So, I guess we’ll have to wait and see.

The last DOOM collectible we covered was a trio of UAC keycards. They were just static props, but they’re priced at $70 for whatever reason.

In other Bethesda Gear news, the Fallout Nuka-Cola Quantum glass bottles have arrived. They’re made from blue-tinted glass; however, they’re not made for drinking. A single Nuka-Cola bottle will set you back $30. Each one comes with a Quantum-branded cap.

FALLOUT NUKA-COLA QUANTUM GLASS BOTTLE AND CAP
Photo Credit: Bethesda Gear

What do you think of the new collectibles? Let us know below!

[Source: Bethesda Gear]
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