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‘Mad Max’ Prequel ‘Furiosa’ Will Be The Biggest Movie Ever Made In Australia

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Six years after the critically-acclaimed ‘Mad Max: Fury Road,’ director George Miller announced he will co-write and direct a prequel film titled ‘Furiosa.’ This movie will focus on Imperator Furiosa, now played by ‘The Queen’s Gambit’ actress Anya Taylor-Joy, replacing Charlize Theron.
According to GQ magazine, Miller revealed that the action flick will be the “largest film ever” made in Australia at an event with star Chris Hemsworth. Franchise newcomer Gladys Berejiklian claimed the production will generate 800 jobs in the New South Wales region and an estimated $350 million into the economy.
‘Furiosa’ is a prequel film that will focus on the fan-favorite Imperator Furiosa, who freed helped liberate a group of slave brides in the post-apocalyptic world with the help of Mad Max, played by Tom Hardy. Little is known about the plot other than it will span over the course of several years.
In October 2020, Anya Taylor-Joy discussed taking over the role of Furiosa and joining the ‘Mad Max’ franchise.
“I am currently in Belfast shooting a movie and I was here when I saw ‘Fury Road’ for the first time,” she said according to IndieWire. “I walked passed the cinema where I first was amazed by this incredible mind of George Miller. It’s difficult to put into words. I feel so humbled and grateful. I think the first thing I thought was ‘I am so excited to work so hard.’ The level of commitment that has been shown by those who came before me, I endeavor to match that. That makes me really excited. I have so much respect for the originators of this crazy world and this collection of characters. I am excited to work really hard.”
“I fell in love with Furiosa because of the way Charlize presented her,” ‘The New Mutants’ actress continued. “She did such an incredible job. It was so beautiful. I can’t even think about trying to step into her shoes. It has to be something different because it just can’t be done.”
“I’ve already started dreaming about [Furiosa] and she’s coming in very strong,” she added. “I’m so committed to working as hard as possible as I can. I always said that I wanted a role that I would have to give everything to, it wouldn’t just be my mind but my body, what I’m doing with myself when I’m not on set. I’m so excited for that and to push myself past the limits of what my brain thought was possible.”

Ghostbusters Pack Coming To Console Versions of Planet Coaster

There was a drought of good Ghostbusters merch for a long time after the early ’90s. Sure we got the ‘Extreme Ghostbusters,’ but that onslaught of cool stuff just ground to a halt.
Many of us would mod ‘DOOM’ or ‘Duke Nukem’ to make them into off-brand ‘Ghostbusters’ games for a while. Sometimes it turned out cool. Yes, it was a long hard road until the official video game came out in 2009.
Since then, we’ve seen all sorts of cool GB stuff hit the digital space. Pinball games, mobile games, VR games. Now, even roller coaster sims are getting in on the paranormal action. Well, PC owners of ‘Planet Coaster’ have already had the honor of playing the game’s ‘Ghostbusters’ DLC. Console fans have had to wait. That is until the 29th of April! Thanks to EGM for the tip-off!
From Planet Coaster’s official website:

Planet Coaster: Ghostbusters adds a brand new rollercoaster, an interactive Ghostbusters™ dark ride and a fully voiced narrative campaign with Dan Aykroyd and William Atherton!
Is your theme park plagued by paranormal phenomena? Have you seen manifestations appear on your roller coasters? Are you looking for a way to protect your guests from ghostly apparitions? Then look no further; the Ghostbusters are here to help! Under the guidance of Dr. Raymond “Ray” Stantz and the Ghostbusters, free your attractions from ghosts and restore fun and excitement to your entertainment parks.
Planet Coaster is proud to introduce its most ambitious content pack, Planet Coaster: Ghostbusters. The pack boasts a brand new, story-driven scenario and employs the talents of Dan Aykroyd and William Atherton, who voice their roles as iconic Ghostbusters’ co-founder, Raymond Stantz, and Special Agent Walter Peck, from the 1984 classic.


The price of the console expansion is $14.99. If you already have the PC version of ‘Planet Coaster,’ then the DLC can be picked up Steam or the Frontier Store.
Have you constructed a coaster with the GB DLC? Please post a link to your ride-thru videos in the comments, and let us know how you like it!
[Source: EGM]

Can Crash Bandicoot Avoid the Noid? A Wil Vinton Classic Returns!

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Mascots! If you grew up in the Gen X era, we were bombarded by mascots. Cereals had them. Fast food joints had them. Questionable restaurant chains only found in rural parts of the South had them. Even pizza places had them. Yes, if there was one reason and one reason only to eat Dominios in the ’80s, it was because of The Noid.
The Noid was a diminutive little trouble maker who would try to destroy your delivery pizza. How did Dominos “avoid the Noid”? Sturdy cardboard boxes to house your pie of questionable quality.
Listen, Dominos has improved over the past 40 years, but trust me when I say that they were last on the list if you had to choose. One time, my friend’s mom even picked Chuck E. Cheese pizza over it, which meant she had to drive us 15 miles to the closest chain.
Regardless of the food’s quality, the red-suited Noid was somewhat of a hit character for a short stint during the time of the Ninja Turtles. Like all things that had a fleeting memorable hold on pop culture from the 1980s and 1990s, the Noid is back. He’s joining Crash Bandicoot in his mobile game ‘On the Run,’ and the pizza-hating madman is also returning to Dominos commercials.

The Noid & Crash Bandicoot
Ya know … he looks right at home with Crash’s newer art style. The Noid was always pretty spastic, and that fits. In an announcement on PR News Wire, we learned that the Noid is going to have a brief appearance in Crash’s game starting May 7th:

The Noid will join the newest installment of the Crash Bandicoot gaming series, Crash Bandicoot: On the Run!, a new mobile adventure that honors the rich 25-year history of the beloved franchise. For a limited time, the Noid will be featured as one of the game’s mini bosses, pitting players against the Noid as Crash progresses through the story. Avoiding the Noid has never been so fun! Players will also have access to exclusive Domino’s pizza-themed player skins, showing players love for all things pizza.

‘Crash Bandicoot: On the Run!’ is available on Android and iPhone.
In a pinned tweet from the pizza maker, the Noid is back to trying to stop pizza deliveries. There’s even a callback to his NES game. Yes, he had an NES game just like Ronald McDonald did. We had no shame.


The original Noid of the ’80s was animated by the legendary Will Vinton Studios. The late Will Vinton is responsible for some of the greatest claymation ever to grace the screen. His works include the stop-motion in ‘Return to OZ,’ ‘Moonwalker,’ ‘A Claymation Christmas Celebration,’ and of course, the California Raisins.
Do you remember the Noid? What were some of your favorite Will Vinton claymation projects from the ’80s and ’90s? Let us know in the comments.
[Source: PR News Wire]

Emilia Clarke Discusses Her New Comic Book Series

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‘Solo: A Star Wars Story’ actress Emilia Clarke is working on a new project apart from filming in the form of a comic book.
Clarke has partnered with Image Comics to produce ‘M.O.M.: Mother Of Madness,’ a three-part series co-written by ‘DC Comics: Bombshells’ writer Marguerite Bennett and featuring artwork from ‘Hoarde’ illustrator Leila Leiz, contributor Isobel Richardson, with London-based artist Jo Ratcliffe doing the cover art, seen below.


The ‘Game of Thrones’ actress told Entertainment Weekly that the idea started as a joke before evolving into a Deadpool-esque blend of silliness, tongue-in-cheek humor, and feminist sensibility. The plot follows single mother Maya who discovers she possesses freakish superpowers, and uses them to fight “a secret cabal of human traffickers.”
“We’re always calling mothers superheroes, and I’m like, what if they were? What if they legitimately were superheroes,” Clarke said. “Maya has had a very hard life, and she finds herself in a place where everything that makes her unique, she hates and is ashamed about. It’s only in the discovery of her powers that she finds her true acceptance of who she is.”
While Clarke did not elaborate on her powers, she reveals Maya has “many, many things that she can do that are pretty cool,” and added, “She can do all of these wicked things, but they all come from the fact that she is a woman who has a menstrual cycle. I thought it would be cool to have all the things that women don’t like about themselves, flip that, and make those the things that make her superhuman.”
“It’s been a very beautiful female experience in the creation of it, and a phenomenally creatively fulfilling process,” Clarke continued. “But the biggest reason why I wanted to make this comic is because I wanted young girls to look at a woman that was fallible. Obviously, you’re seeing that a lot in the industry; you’ve got all of these incredibly empowering female shows. But I just felt like I hadn’t seen it in this genre.”
The first issue will premier on July 21st. Here is a look at some of the pages.

Toony Terrors Series 6 Features Herbert West And Elvira!

The 6th series in NECA‘s stylized ‘Toony Terrors’ add two familiar faces and two surprising editions. This new roster includes Elvira, Herbert West (with Dr. Hill’s head), the Miner, and Captain Blake.
I’m a huge fan of Jeffrey Combs and had the honor of interviewing him a couple of years ago. When I was a kid, my daycare was the backroom of an early ’80s VHS rental store. So, I watched all the things I should, including ‘Re-Animator.’ I even dressed as Dr. Herbert West one Halloween as a kid, complete with Dr. Hill’s head in a tray.
It’s always great to see Elvira represented in any form. The Mistress of the Dark is welcome as an action figure, statue, or even a beach towel if you remember back that far. The surprising editions, to me at least, are the inclusions of the Miner from ‘My Bloody Valentine’ and Captain Blake from the original version of John Carpenter’s ‘The Fog.’ In the 1980’s original, you don’t get too good of a look at Blake’s ghostly form, but here he is on full display.
I am glad this series has continued on so more, and more cult favorites can be added. I hope NECA eventually gives us a line based on ‘Dr. Phibes’. Sure, just a figure of Vincent Price as Phibes would be cool, but I’d love to also see his mechanical band, and maybe a few of his victims could show up, too. Terry-Thomas being drained of all his blood? Make it a figure!

NECA
Toony Terrors series 6 will hit stores in September of this year. Cases of the figures can be pre-ordered now over at Entertainment Earth.
Which horror icons would you like to see represented in the Toony Terrors line? Should some of the already released figures get special variants like glow-in-the-dark features or different paint jobs? Let us know in the comments.

Be He-Man With This Official 40-Inch Power Sword!

As a kid, I had the original He-Man sword and shield toys. The Power Sword was hollow and eventually broke after repeated battles with a treacherous tree in our front yard. The shield eventually became a Frisby when the roof claimed all our real ones.
Then I grew up and searched desperately for a replica of He-Man’s magical sword. Sure, there were off-brand ones at flea markets. Just like the Sword of Omens, these cheaply made bits of steel were almost the real deal but never really hit home.
While I was browsing Figures.com today, I saw that an officially licensed replica of the sword that inspired so many of us to scream “By the Power of Grayskull” was a reality!
Sadly, the sword does not come in two-toned silver and purple, nor does it split in half like the toy. Yet, for men of Herculian physiques like myself, this is the perfect addition to our already stunning manliness.

Based on the small plastic sword accessory that accompanied the original He-Man action figure, Factory Entertainment’s artisans reimagined it as a real-world sword and have forged a stunning artifact that bridges the realms of fantasy and reality.
This officially licensed 40-inch long Power Sword prop replica features a full tang blade crafted from stainless steel with a mirror-chrome finish. Adding realism to this iconic sword, the metal guard features an antique foundry finish and the handle is wrapped in a brown leather.
Every replica is supplied in a full color collector box and comes with a wall hanging display plaque and a certificate of authenticity.

Factory Entertainment
Factory Entertainment
Factory Entertainment
Factory Entertainment
Factory Entertainment
I’ve owned quite a few pieces from Factory Entertainment over the years. I’ve never been disappointed by anything other than the high prices. If you’re willing to spend almost $600 on the sword of the strongest man in the universe, preorder here.

Will you be getting your own Power Sword? What other replicas from ‘Masters of the Universe’ would you be interested in? Let us know in the comments.

Challenging the Misconceptions of Down Syndrome in a New Animated Music Video

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In December 2020, Michael McDonald received a phone call from singer-songwriter Jordan Hart. Hart was preparing to release his debut E.P. He needed a music video for his leading track called “Freedom” and he was looking to collaborate.

“He wanted the story to highlight the life moments so familiar to those of us in the disability world, but so rarely depicted on screen and perhaps never before depicted in the music video genre. I was in the car at a red light when I first heard his song “Freedom.” I’ll never forget it. I didn’t have my phone connected to Bluetooth, so his song was playing through the phone’s speakers amplified by the plastic cup holder. Even then, it transported me to another world entirely– tears in my eyes, chills down my spine, the music pulled this story out of me. Four stoplights later, I knew we had something beautiful and important. After countless hours working on the script, raising the money, reaching out to studios, we are so proud to share what might be the world’s first animated music video featuring a protagonist with Down syndrome!”, recalls McDonald.

Michael McDonalds is a National Communications Director at L’Arche Canada. L’Arche Canada is one of 150 communities in 38 countries that celebrates the gifts of people with and without intellectual disabilities. They encourage people to build friendships and belonging, by demonstrating those with and without intellectual disabilities can live, work, learn, and grow together. L’Arche shows that when those with intellectual disabilities take their place at the table, they contribute to a more just, compassionate, and vibrant world for all.

Award winning studio Tonic DNA was approached by L’Arche with a script for the live action film. However, with the pandemic going on, they felt it too high of a health risk. So they needed to rework the script from live action to animation. As part of L’Arche’s ‘Free to Be’ campaign, the film’s narrative was built on years of oral histories from those with Down Syndrome, highlighting moments familiar to those with the disability that are so rarely depicted on screen. During the short timeframe to bring this animation to life, the team made sure the film challenged the misconceptions surrounding Down Syndrome by asking the question, “Why does the world assume that a disabled life is not profoundly beautiful?”

Far too often, the media portrays stories of those with disabilities with fear and pity. With help from actor and LGBTQ activist Nicholas Herd, who was born with Down Syndrome, and was creative director of the film, the team purposely stayed away from the stereotypical plot devices.

With animation references and real-life stories given by L’Arche, Tonic DNA worked to find a style that would preserve the emotional and character-driven aspects of the story while ensuring there was no distraction from the narrative — finding strength in simplicity, while also working around Jordan Harts song ‘Freedom‘.

Written and directed by Joe Bluhm and Michael McDonald, Freebird is the coming-of-age story of a boy with Down Syndrome who learns to navigate the world with a loving mother, an absent father, a classroom bully, and a life-long crush.

“In an industry so captivated by CG and 3D, what if we were to ‘disable’ the aesthetic to the bare minimum?” said Michael McDonald. “In our initial search for style references, we were really drawn to the minimalistic tradition of abbozzi; the preliminary sketches for great works of art. People with Down Syndrome are often treated as such, as under-developed, rough sketches of what should have been a ‘full-fledged’ human being. Could we explore that through the tradition of the rough sketch and come out on the other side with something whose beauty would be deepened by its simplicity, by the fact that it refuses the flashiness of artistic sophistication?”
McDonald continues, “From our first meeting, Joe [Bluhm] has taken the animation in such incredible directions. Bodies with Down Syndrome have different proportions than those without Down Syndrome, and Joe and Tonic took the time to get these dimensions right — the gestures, the expressions, the non-normative proportions — and it was all done with such integrity. It’s one thing to dream about the perfect aesthetic to tell this story, it’s another to make a flat world feel round or to match the 42 muscles in the human face with the expressive power of a well-placed line, and yet, once Joe said ‘yes’ and Tonic sharpened their pencils, that’s exactly what they did.”
According to Tonic DNA director Bluhm,Although the timeline was challenging, the concept and narrative was amazing. I was completely moved by the script and the cause, instantly envisioning something free and loose. Knowing that this was a robust story, with half a lifetime of narrative, we couldn’t cut out any of it, yet couldn’t build every detail of the world. Fortunately, my gut feeling was to do something that felt light, familiar, and loose enough to evoke an idea that the story is still yet to be written for many of the people that the narrative speaks to. Tightening up and constraining things is not the answer – letting things be loose and open is. So, a light, slightly vintage style felt right. And letting colors flow, letting textures flow, and getting glimpses of these memories being told to the viewer through an ephemeral form seems fitting.”

Watch the music video here:

And according to Michael, “The 45-year-old secret handshake between the mother and son in the animation–that came from Amir–he showed me that!”

Be sure to stay after the song ends. There is something extra at the end that brings home the message that is intended.

With all the violence, anger, and destruction going on out there in the world, we could always have some brightness and love in our lives. Even from those who society deems a rough sketch of a human being.

Cuphead Zoetrope Animation Creation on Display for a Decade

In 2017, a studio company called Studio MDHR created a game called Cuphead. The art and animation was heavily inspired by the rubber hose style that was quite popular in the 1930s style of American animation, in particular, from Walt Disney Animation Studios and Fleischer Studios.

Recently, it was announced that one of their latest creations would be showcased at a museum in Melbourne, Australia. They created something called a zoetrope by combined efforts using traditional 2D animation to 3D printing, to help make this come alive.

A zoetrope is something that was developed in the 1830s. It opened the doors to create the illusion of movement in visual entertainment. The illusion of motion is created by displaying a sequence of drawings or photographs showing progressive phases of that motion. In 2010, inspired by Studio Ghibli’s zoetrope, Disney’s Pixar created their own zoetrope, which you can view here:

Studio MDHR’s Cuphead zoetrope will be on display until February 16, 2031, spinning the illusion of movement 247. It will be part of an exhibition called “The Story of the Moving Image“. The exhibition will be showing the journey through the past, present, and future of the moving images both digital and traditional.

See the Cuphead zoetrope in motion here, along with progress art, from two people who worked on this amazing work of art (the animated zoetrope video has a jazzy sound to go along with it):

This exhibition will also include “Disney: The Magic of Animation“, which will be live for viewing from May 13 – October 17, 2021. These rarely seen works include over 500 original paintings, sketches and concept art that have been specially selected by the Walt Disney Animation Research Library in Los Angeles, California. These rarely seen works reveal the development of beloved stories and animation techniques from Walt Disney Animation Studios films and shorts.

Congratulations to the team at Studio MDHR for creating something pretty amazing!

 

Worldwide Casting Call for New Anime Movie BELLE

Have you ever dreamed of being part of an animated movie? Perhaps singing a tune? You may just get that chance with Mamoru Hosoda’s latest movie BELLE: Ryū to Sobakasu no Hime, which translates to “The Dragon and the Freckled Princess”. For the first time, Mamoru Hosoda and his studio Studio Chizu announced Friday the film’s staff are holding a worldwide open casting call. They are looking for people from all over the world to play a part of an important scene, in which there are people from all over singing along with the main character Belle. The lyrics are simple. All you would need to sing are “lalala” and to be able to listen to sample low and high-pitch vocal recordings to match their voice to vocalize what they are looking for. If you are interested in participating in this casting call, go to this page: Casting Call Page.

Mamoru Hosoda is credited as the director, screenwriter, and author of the original story. His past works include Digimon: The Movie, The Girl Who Leapt Through Time, Summer Wars, Wolf Children, The Boy and the Beast, and Mirai.

BELLE is about Suzu, a 17-year old high school girl living with her father in a rural town of Kochi. When she was younger, Suzu would always sing with her mother. But since losing her, Suzu lost the ability to sing. One day, Suzu discovers the massive online world, U, and dives into this alternate reality as her avatar, Belle. As an avatar, she is able to feel free to sing what it is in her heart. Before long, all of Us eyes are fixed on Belle (Suzu), when one day the mysterious and infamous Dragon-like figure appears before her.

BELLE is the movie that I have always wanted to create, says Director Mamoru Hosodaand I am only able to make this film a reality because of the culmination of my past works. I explore romance, action and suspense on the one hand, and deeper themes such as life and death on the other. I expect this to be a big entertainment spectacle.

I have directed films in the past, exploring the implications of the Internet and how our younger generations will transform the world with their own amusement. At the same time, the Internet has a more negative side to it, where people slander others without a second thought, filling it with misinformation. In spite of this, I believe that it is marvel that will expand the possibilities of humanity. I wanted to depict this massive shift in our relationship with the Internet in a way that would pave a path towards our future.

The unprecedented events of last year have accelerated the paradigm shift in our online interactions with one another, be it the workplace or our personal lives. As this era continues to change, unbound from the shackles of yesterdays common sense, capturing this global phenomena felt like an inevitability.

Yet, the things that we must cherish, largely remain the same. Legacies we have inherited from generations past, will continue to exist and adapt to the new age and new tools that will now shape it. This shift is more apparent than it has ever been because of the era in which we currently live.

I hope you can enjoy our world that is now evolving at the speed of light while savoring those things that really matter to us, in this film.

Watch the trailer here:

The song that is featured in the trailer is one of the songs the character Belle sings in the online world of “U”. I think it sounds beautiful and I am really looking forward to seeing this later this year.

It’s not often one gets an open invitation to get to voice in an anime movie! Do you think you will enter in the voice casting call?

Apple Fails To Dismiss Lawsuit About Vanishing Purchases

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Apple’s fine print in the user agreements makes it “clear” that you don’t own anything bought through Apple TV or iTunes. Even though their storefronts do say you are about to “buy” a movie, show, or song, it’s actually a license.
Over the past five years, I’ve seen my library of 300+ movies from Apple fluctuate. At random, one or two movies would disappear. I don’t keep a readily available list to compare the active titles to. Oh, and Apple does not tell you when a movie is no longer available. If you haven’t downloaded it somewhere else, you’re out of luck.
If you have an Apple TV,  you also need to have a computer with a large enough drive to hold any and all of your potential future purchases. Yeah. Just “bought” a movie? Go over to your computer and download the backup. How … convenient. Apple isn’t the only company that pulls this, mind.
The Hollywood Reporter showed us a single person from Sacramento, California, taking Apple to court over the dubious wording. Of course, Apple attempted to have the lawsuit thrown out. The reason Apple gave? The “injuries” the plaintiff stated were “speculative.” As someone who has seen movies vanish, I call BS.
Here’s the exact wording from the court documents, “Apple argues that Plaintiff’s alleged injury — which it describes as the possibility that the purchased content may one day disappear — is not concrete but rather speculative.”
What could be the resolution? Personally, I think Apple needs to make it clear that you’re not buying anything. You’re leasing a film at a one-time price that could expire whenever without notice. That could dissuade people from making that $19.99 purchase.
What do you think of Apple’s wording regarding what you may spend money on in iTunes? Have any of your purchases vanished? Would you still “buy” movies from Apple if the disclaimer about licensing rights was clear and present before you finished the transaction?
Let us know in the comments.
[The Hollywood Reporter]

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