Kotaku Got Sold Off, and Why This is a Good Thing


Kotaku, the once-dominant voice in gaming journalism, has been sold to Keleops, a European tech media company. G/O Media is divesting itself of its last major properties, and fans are wondering what this means for the future of digital gaming journalism. Let’s dive into the sale, the controversies, and why this might just be a good thing, despite the uncertain landscape.

Here’s the TL;DR…

  • Kotaku was sold to Keleops in an all-cash deal, marking the end of G/O Media’s ownership.

  • G/O Media is winding down, having already divested sites like Jezebel and Deadspin, leaving only The Root.

  • Kotaku has a history of controversies, from Gamergate to staff walkouts, shaping its reputation.

  • The current state of digital gaming journalism is uncertain, with recent layoffs and Google AI search impacting site traffic.

  • This sale could be a fresh start for Kotaku, but the future remains precarious.

What Happened with the Sale of Kotaku?

Kotaku, founded in 2004 as part of Gawker Media, was acquired by G/O Media in 2019. Now, The New York Times reports it’s been sold to Keleops, a European tech media company, in an all-cash deal. G/O Media announced the sale as part of winding down its operations, leaving only The Root. This marks a significant shift, as Kotaku was once a cornerstone of gaming journalism.

Why is G/O Media Divesting Itself of Websites?

G/O Media’s divestiture is a strategic move. The Hollywood Reporter details the sale of Jezebel, Deadspin, and now Kotaku, with only The Root remaining. Forbes discusses the financial strain, noting the company’s struggle to maintain profitability amidst changing media landscapes. It’s a sign of the times, with traditional media outlets facing existential challenges.

What Controversies Has Kotaku Been Involved In?

Kotaku’s history is fraught with controversies. The Gamergate saga in 2014, covered by The Daily Wire, saw Kotaku at the center of debates over ethics in gaming journalism. More recently, Polygon reports staff walkouts in 2024 over editorial decisions, reflecting internal tensions.

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Reddit (r/KotakuInAction) and X posts continue to debate its bias and credibility. It’s a site that’s never shied away from controversy, for better or worse.

What Are Some of Kotaku’s Many, Many, Many Controversies?

Kotaku’s journey has been anything but smooth, marked by a series of controversies that have shaped its reputation:

  • Gamergate (2014): Kotaku found itself at the epicenter of the Gamergate controversy, a movement that sparked debates over ethics in gaming journalism. Critics accused the site of bias, while supporters defended its stance on diversity.

  • Staff Walkouts (2024): In July 2024, Kotaku experienced staff walkouts over editorial decisions, highlighting internal tensions. The walkouts were a symptom of broader issues, with employees feeling unheard.

  • Hogwarts Legacy Dev Gets Cancelled (2021): One of the most polarizing moments was the controversy surrounding Troy Leavitt, a developer at Avalanche Software working on Hogwarts Legacy. Kotaku reported in March 2021 that Leavitt had run a YouTube channel critical of feminism and social justice, leading to backlash. The site’s coverage was intense, with calls for his resignation. Leavitt eventually stepped down, but the incident fueled debates over cancel culture and media responsibility.

  • Bias and Credibility Debates: Ongoing discussions on Reddit (r/KotakuInAction) and X posts question Kotaku’s bias and credibility. These debates often center on perceived political leanings and coverage choices, with some calling it a “leftist echo chamber.”

  • Editorial Decisions and Backlash: Beyond specific incidents, Kotaku has faced backlash over various editorial decisions, from clickbait headlines to controversial op-eds. Each controversy adds another layer to its complex identity, like a matryoshka doll of drama.

These controversies have not only defined Kotaku but also influenced the broader conversation about digital journalism’s role and responsibilities. They’re a reminder that in the digital age, every click can be a double-edged sword.

How Has Digital Gaming Journalism Evolved, and Why is the Future Uncertain?

The state of digital gaming journalism is evolving, but the future is uncertain. The Guardian discusses the shift towards independent creators and video platforms, with YouTube channels and Twitch streams gaining influence. However, recent layoffs in the industry have shaken the foundation. Thousands of jobs have been lost, with major outlets like IGN and GameSpot affected.

Additionally, The New York Post highlights how Google AI search is killing site traffic, with less than 1% of traffic coming from AI searches in June 2025, severely impacting traditional sites.

TechCrunch covers the decline of traditional outlets, noting the rise of eSports coverage on sites like IGN. It’s a landscape where agility and audience engagement are key, but the uncertainty looms large.

Why Might This Sale Be a Good Thing for Kotaku?

This sale could be a fresh start for Kotaku. Keleops, with its focus on tech media, might bring new perspectives and resources. The controversies have tarnished Kotaku’s reputation, but a new owner could address these issues, potentially revitalizing its role. Fans on social media express hope, with one X user posting, “Maybe Kotaku can finally get back to gaming.” However, the broader industry challenges mean this is no guarantee. It’s a chance to reset, to refocus, but the path forward is fraught with risks.

What Does This Mean for the Future of Gaming Journalism?

The future of gaming journalism is uncertain but critical. The sale of Kotaku is a microcosm of broader trends—traditional outlets struggling, independents thriving, yet facing their own challenges. The Guardian suggests a renaissance for niche sites, while TechCrunch warns of consolidation risks. The layoffs and Google AI search’s impact add layers of complexity. Kotaku’s new chapter could either reinvigorate the field or serve as a cautionary tale. It’s a high-stakes game, and the dice are still rolling.

The Takeaway

Kotaku’s sale to Keleops marks the end of an era for G/O Media and a potential new beginning for the site, but the future of digital gaming journalism is uncertain. The controversies have shaped its journey, and recent industry shifts—layoffs and Google AI search’s impact—cast a shadow. Whether this is a good thing depends on Keleops’ vision and the industry’s ability to adapt. For now, it’s a step towards redemption, but the road ahead is rocky. News compiled and edited by Derek Gibbs and Steven Bubbles. Follow us on ClownfishTV.com for more gaming, pop culture, and tech news, and consider subscribing for only $5 per month to get access to exclusive podcasts and other content.

Sources (in order of importance, with article names and dates):

  • The New York Times (July 2, 2025): “G/O Media Sells Kotaku as It Winds Down Operations”

  • G/O Media (July 1, 2025): “Announcement of Kotaku Sale”

  • The Hollywood Reporter (July 2, 2025): “G/O Media’s Divestiture of Websites”

  • Forbes (July 3, 2025): “Financial Implications of G/O Media’s Divestiture”

  • The Daily Wire (June 2023): “Kotaku and the Gamergate Controversy”

  • Polygon (July 2024): “Kotaku Staff Walkout Over Editorial Decisions”

  • The Guardian (June 30, 2025): “The Shift in Digital Gaming Journalism”

  • The New York Post (July 2, 2025): “Google AI Search Killing Site Traffic for Gaming Journalism”

  • TechCrunch (July 1, 2025): “Decline of Traditional Gaming Journalism Outlets”

  • IGN (July 2, 2025): “Rise of eSports Coverage”

  • Reddit threads on r/KotakuInAction

  • X posts on Kotaku’s sale and controversies


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Steven Bubbles
Steven Bubbleshttp://clownfishtv.com
"Steven Bubbles" is the pen name used by the current junior editor at Clownfish TV. They are a good little fishy who gathers up news and leads from all over the internet. This little fish runs day-to-day operations on ClownfishTV.com. The true identity of this fish can and does change. In fact, it may be one fishy, or a school of fish, at any given time.

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