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ChatGPT Has Been Banned In Italy

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ChatGPT is in more trouble. Italy has banned Open AI’s chatbot and may fine the company if it does not comply with specific demands.

Open AI’s ChatGPT uses data available on the internet to act as a somewhat useful chatbot. As a result, it can field questions relatively well, as long as there’s enough info for ChatGPT to source. However, the utility does come with some problems. One of those is when users with a premium subscription had their personal details leaked.

According to Ars Technica, this little oopsie caused the Italian Government to ban ChatGPT temporarily. On March 31st, Italy claimed that Open AI’s tool was unlawfully collecting data and did not discriminate when it came to users’ ages:

As confirmed by the tests carried out so far, the information made available by ChatGPT does not always match factual circumstances, so that inaccurate personal data are processed. Finally, the Italian SA emphasizes in its order that the lack of whatever age verification mechanism exposes children to receiving responses that are absolutely inappropriate to their age and awareness, even though the service is allegedly addressed to users aged above 13 according to OpenAI’s terms of service.

Although the ban is temporary, Open AI may have no reason to comply with Italy’s expectations. However, Italy plans to fine the company within 20 days (from March 31st) if Chat AI does not establish itself with the European Union. The fines could equate to €20M.

A single ban like this may not be too concerning for Open AI. However, it could open a can of worms for other countries to scrutinize the inner workings of a foreign company.

OpenAI was founded in 2015 and is headquartered out of San Francisco. The company is currently valued at $29 billion.

Have you used ChatGPT?

[Source: Ars Technica] [Source: GPDP] [Source: WSJ]

Cobra’s Escape Pack Shows Off Unbelievable Disguises

After being foiled again by the G.I. Joes, the top-ranking members of Cobra had to flee in disguise, much like Cobra Commander’s other plans; this one involved some absurd thinking. What better way to escape a highly trained government agency than using poorly implemented disguises?

Super7 has just released a new G.I. Joe ReAction figure pack based on the classic 1980s cartoon. The triple pack includes Cobra Commander, Destro, and the Baroness in some no-so-convincing disguises.

The accessories in this $65 pack are limited but entirely appropriate within the context of the episode The Pyramid of Darkness. Destro has a hammer, while Cobra Commander is carrying a ratty bag of clothing. The Baroness, looking almost like a dominatrix, is equipped with a medical bag.

The Cobra Escape Pack is available now. No pre-ordering is necessary.

Coincidentally, the last box set from Super7 we saw was also from the same G.I. Joe episode. That set also featured another character in disguise.

G.I. JOE Cobra Escape Pack - Super7 ReAction Figures
Photo Credit: Super7
G.I. JOE Cobra Escape Pack - Super7 ReAction Figures
Photo Credit: Super7
G.I. JOE Cobra Escape Pack - Super7 ReAction Figures
Photo Credit: Super7

Inspired by the Cobra leadership’s ham-handed attempt to avoid capture at the end of the Pyramid of Darkness miniseries, Super7 has put together an homage to what might be the best/worst escape plan of all time! Featuring Baroness as a nurse, Cobra Commander as an old lady, and Destro as a city worker.

What’s funny is that at the end of the episode, only Xamot, Tomax, and the Baroness are the ones with believable disguises. No one questions the guy with the metal face or the old lady with the mirror mask. Then again, they are making an escape via a subway system. I’ve seen plenty of high strangeness in that sort of public transit system.

What are your favorite weird COBRA schemes? Let us know in the comments section below.

[Source: Super7]

Review: Air: Courting A Legend – When NIKE Met Jordan

It is without a doubt that Michael Jordan is the greatest basketball player of all time, and arguably one of the greatest athletes to play in competitive sports. But the movie Air, directed by and co-starring Ben Affleck, isn’t a movie about the greatest player of the game. Rather this story focuses on the chance meeting between Michael Jordan and the company NIKE during the 1980s. The deal that was made between the player and the sneaker company was a monumental one that changed the way basketball players did business with shoe companies. Luckily for us, the way this tale is delivered is through a fun and nostalgic lens that takes us all back to the mid-80s to see the origins of the most popular NIKE sneaker collaborations in history, the Air Jordan brand.

While Ben Affleck is a co-star, the film actually follows Matt Damon’s character Sonny Vaccaro. Sonny would risk everything to put together NIKE’s pitch to the Jordan family for Michael Jordan to ink a deal with the company out of his rookie year going into the NBA. And while history tells us how Michael Jordan became a legendary figure in the sports world, the NIKE deal he makes via Sonny’s hard work became a game-changer for the sports world and pop culture. Sonny is the focus of the story but is supported by Ben Affleck’s Phil Knight, the co-founder and chairmen of NIKE, and their team members Jason Bateman as Rob Strasser, and Chris Tucker as Howard White.

The series of events leading up to the outcome we know is accurate but also given a bit of exaggeration in some places. While we may never know the exact conversations that happened back then, the interactions between Sonny and the rest of the NIKE workers feels raw and real enough to make us believe that this is how it may have gone down. Everything from how the Air Jordan name was created to the pitch meeting at NIKE headquarters is dramatized, in some cases a little too much than what it needed to be.

Some of the arguments between characters are pretty humorous and will get a genuine laugh out of everyone, even though there’s probably no way things happened like that. A few of the phone calls between Sonny and some of the other cast are rooted in sports business talk, and yet have a relatable charm that feels timeless between decades.

Speaking of which, Air has a very deep reverence for the 1980s. Everything from the clothes being worn to the music choices are directly from the year in which the movie takes place, which is 1984. There are a few montages that showcase some of the world events and big pop-culture moments that set the tone for the rest of the film, which seems a bit cliché for period pieces set within this era. But the montages act as a bookend for both the beginning and end of the film when things finally come together, with clips of Michael Jordan’s future accomplishments and the aftermath of the NIKE deal he made.

One of the interesting components of the film is Viola Davis as Michael Jordan’s mother, Deloris Jordan. She acts as a gatekeeper to her son from Sonny and everyone else, as well as an understanding mother who sees the good intention behind Sonny’s initial pitch from NIKE. Every time Viola is on screen the events feel emotional and have a bit of tension, often because everyone in the room is pitching to her as much as they are to the young Michael Jordan.

There are multiple times in the movie that its reinforced that the key to getting to Michael was by convincing his mother, which is followed through to the end. Thematically it works, but this is also historically accurate with a short clip during the credits that shows Michael Jordan speaking about his mother during his NBA Hall of Fame speech. This never becomes an overbearing part of the story, but one that feels earned and makes sense as we see Sonny put in the work to convince the Jordan family to work with NIKE.

The rest of the cast and their stories are a bit shallower in comparison but are fun to see leading up to the finale. Chris Tucker as Howard White has some great comedic moments that pull in references to what was going on in pop culture in 1984, specifically how black culture was fascinated by Adidas at the time. The Run DMC song “My Adidas” is brought up to convey how much NIKE was behind other show companies back then. A lot of the humor comes from Howard White, but there are a few spots that involve both Rob Strasser and David Falk, Michael Jordan’s then-agent played by Chris Messina. Shouting matches over the phone and jabs during meetings are hilarious, especially after Sonny decides to visit the Jordan family directly after being told not to do so. The back & forth will make you laugh.

But with all of this talk about Michael Jordan, does he ever make an appearance in the film? Yes, and not really. Unfortunately, while there is a stand-in actor for the young Michael Jordan, you never actually see his face or hear him speak very much. The scenes where he shows up have camera tricks that hid his face, where he’s either seen from behind or has someone or something blocking the view of his face. It gets a little silly at times, including in the later part of the film where Michael and his parents visit NIKE for their fateful meeting. While this creative decision works enough to make us suspend disbelief and see that as the young Michael Jordan from all of the clips shown, it still can be goofy at times.

The film would’ve benefited more if an actor was cast as young Michael and we got to see and hear him speak more by the end of the movie. Instead of awkward camera angles and characters interrupting at convenient times, we could’ve seen the young Michael’s face as he’s given the pitch from NIKE. Instead, we see the reaction from everyone else in the room, more specifically Deloris Jordan and Michael’s father James R. Jordan Sr. This is even more the case since at the end you hear Michael speak through the phone briefly in a call to Sonny after everything comes to pass.

Even if you’re not a big fan of basketball or sports in general, Air is a genuinely good movie that has a great story rooted in history. It doesn’t focus on the star player we all know but gives us something more to compliment the legacy of Michael Jordan and tell a story not many have heard before. It’s fun, interesting, and a bit nostalgic all at the same time. The same kind of feeling that some people might get when they look at a pair of Air Jordan sneakers they got from that era.

Are you going to watch Air sometime? Were you a Michael Jordan fan or love the game of basketball? Tell us about everything down below in the comments!

Review: Assault Suits Valken Declassified – Mecha Action Revisited

Assault Suits Valken was originally released for the Super Nintendo in 1992, developed by Masaya and published by Konami. The game was a fast-paced action platformer that featured giant mecha blasting each other, with a light sci-fi anime story weaved throughout its seven stages. For some, it was a classic action game for the SNES, and for others, it was genuinely unknown. During its original release outside of Japan, the game was renamed to Cybernator and localized for various territories. But with the release of Assault Suits Valken Declassified for the Nintendo Switch, anyone who missed out on the game can finally play it as it was originally conceived, with some extras included.

Assault Suits Valken Declassified is pretty much a standard rerelease of a retro game from the 16-bit era. You get the original game with an updated translation of the story, along with extras such as an art gallery and game guide. At the same time, you can listen to the soundtrack and even watch a full master playthrough of the whole game if you want to learn how to get past levels you struggle with finishing. This seems pretty good for a retro game, but can quickly lose its luster if you have no connection to Assault Suits Valken whatsoever. The guidebook and developer interviews offer a bit of history into the game’s creation but aren’t worth revisiting once you see it all. The gallery also doesn’t have any bonus unlockables for finishing the game, which is disappointing.

But what about the game itself, does it still hold up well today? Assault Suits Valken is a challenging game overall, with many levels that might feel a bit cheap. The mech you control feels heavy when moving around, having a drag on your action when aiming or switching actions during movement. Aiming up and down takes a moment because you don’t have instant aiming when pointing your weapon in different directions. At some point, you’ll worry more about fighting your aim and orientation of your weapon than the enemies around you. This can be a big problem when the screen gets filled up with enemies, forcing you to regroup and reorient your attacks. If you rush into attacking enemies you see pop up, you’re going take lots of damage that can add up very quickly.

Some of the levels can get very cheap with how many projectiles are launched at you and how many obstacles you need to navigate. Some stages have you dashing in the air or in space while trying to fend off enemy mechs and their many projectile weapons. This is made more difficult by forcing you to use weapons that need to be reloaded often and don’t always do consistent amounts of damage.

Luckily, power-ups that appear from fallen enemies can upgrade your shots and help deal more damage. Finding them is a pain however since not every enemy will drop an upgrade. It can lead to moments where you’re scrambling to avoid taking damage while trying to fight the aiming and land enough shots to destroy an incoming threat. The parts of the game when this is at its worst are during certain boss fights where multiple targets appear and attack you simultaneously.

While the levels can be challenging and frustrating at times, overcoming them will take a lot of patience. But the most annoying aspect of stages is when you lose a life and have to repeat the entire stage all over again. There are no checkpoints in any stage. If you spend a lot of time clearing an area and getting upgrades, only to find yourself destroyed by something random, you might throw your controller.

The game can be unforgiving in later stages when the number of enemies and obstacles you need to clear can increase exponentially. The guide that’s included in this package will definitely give tips on how to deal with most of the challenges you face, but won’t make them any easier overall. For some, the demand for perfection might seem fun, but for others, it will become frustrating very quickly.

Assault Suits Valken Declassified is good for those who have nostalgia for the original game or love returning to an era of 16-bit gaming that speaks to them. The changes and extra bonus features might also be interesting to those who never really got a good look at this game, but beyond that, there’s nothing much here. Assault Suits Valken is a tough game that may not be fun to play for some people, nor will they have a connection enough to this stick with it if things get too overwhelming. Unfortunately, the extra content and changes included here may also not be enough to entice newcomers to latch onto this retro mech action platformer, no matter how unique and interesting the game was during its time.

Are you a fan of retro games? Do you love sci-fi or giant mecha? Post a comment down below and let us know your thoughts!

E3 2023 Is Cancelled. Is Anyone Surprised? Does Anyone Care?

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To absolutely no one’s surprise, 2023’s E3 has been shuttered. The event, which was scheduled for mid-June, had long been rumored to be in jeopardy. Over the past several months, all the major console makers (Sony, Microsoft, Nintendo) had pulled out of the once-iconic expo. Then publishers and developers started leaving; SEGA, Tencent, and Ubisoft are a few examples.

The announcement came as a simple change to E3’s official landing page. Visitors to the site were treated with this blurb:

Show organizer ReedPop announces E3 2023 will not take place as scheduled this June, with both physical and digital events canceled. Alongside the Entertainment Software Association (ESA), both parties will re-evaluate the future of E3.

The warning signs were there for some time. The ESA had not updated the expo’s page for a while. There was no schedule or ticketing info. The plan to cancel the event was probably in the works the second all three big names pulled out. What’s the point of an expo if the console makers aren’t showing up?

The cancellation is just one of the ESA’s many failures over the years. The pandemic led to multiple E3 events being drastically altered or outright scrubbed. In addition, 2019 saw the ESA suffer a massive security breach that leaked the personal info of over 2,000 people.

Since streaming live events on YouTube and other outlets became commonplace, the need for expos like E3 has been questioned. Attending costs have also become egregious for the average attendee and journalists. It would not be surprising if this same fate crept up, like the Red Death, on other big-name conventions.

I believe the first signs of infection that would eventually lead to E3’s irrelevance started with banning Booth Babes. So what do you think created the Electronic Entertainment Expo’s decline? Let us know below!

[Source: ESA] [Source: Sophia Narwitz] [Source: Wired]

HiDive Picks Up Sci-Fi Anime Comedy ‘Too Cute Crisis’

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Sentai Filmworks has picked up the upcoming anime sci-fi comedy ‘Too Cute Crisis’ for its debut in the United States. Set to be released in April 2023, the show is directed by Jun Hatori and produced by the Japanese animation studio SynergySP. Based on the 2019 manga by Mitsuru Kido, the show will hit Japanese airwaves before heading to HiDive to stream in North America.

“The next time a cat tries to adopt you, let it. You never know when that magnanimous feline will end up saving the world. Mark you calendars, anime fans: TOO CUTE CRISIS (Kawaisugi Crisis) starts streaming on HIDIVE every Friday starting April 7, 2023,” HiDive said on their website.

The animated series is written by Aya Satsuki with Mayumi Watanabe is tackling the character designs.

The series stars the voice talents of Yumiri Hanamori as the alien protagonist Liza Luna with Natsumi Fujiwara tackling the role of her pet cat Yozora. It also features Saya Aizawa, Jin Ogasawara, Ayasa Itō, Yume Miyamoto, Yuichi Nakamura, and Reina Kondō.

You can check out the trailer below:

Too Cute Crisis Wiki describes the synopsis as follows,

“Liza Luna is an alien who wants to destroy Earth upon her first look. But the planet has a plethora of good things, and it would be a pity for her not to check it out. Thus, Earth is spared from destruction, and the alien starts to wander around places. Soon, Liza ends up in a cat cafe, where she will encounter creatures that are beyond her understanding.”

The theme song “Space Cat Big Bang” is performed by music artist Chogakusei while the pop group Dialogue performs the ending song “Nyanbori de Moffi!!”

The manga is published by Shueisha and serialized in their magazine ‘Jump Square.’ The company also released a motion comic version on its YouTube channel.

‘A Wind Named Amnesia’ Is Getting A Blu-Ray Release

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Based on the 1983 novel by Hideyuki Kikuchi (Vampire Hunter D), the 1990 post-apocalyptic film ‘Kaze no Na wa Amunejia’ aka ‘A Wind Named Amnesia’ was produced by the Japanese animation studio Madhouse. It has been called a “sleeper hit” by critics as its popularity seemed to grow some years after its release.

For cinephiles and anime fans, Discotek Media is giving it a new Blu-ray release which will include both the original Japanese version and the English dub produced by the now-defunct Central Park Media. Planned for a release on May 30th 2023, the movie is currently available for pre-order on the Right Stuf Anime website.

The movie was directed by Kazuo Yamazaki, who co-wrote it with Yoshiaki Kawajiri and Kenji Kurata. It was produced by Tadao Masumizu, Tomirou Kuriyama, and Shin Seya with Hidenobu Takimoto and Kazuhiko Toyama handling the music.

You can watch the trailer for the film below:

TV Trope describes the synopsis as follows,

“Three years after losing its memories, humanity has been reduced to an almost savage level, with only the most basic of instincts now driving the lost and confused humans. Wataru, a young man, travels across America, searching for answers to what happened, and why. Along the way, he meets a girl named Sophia, who tags along with him. As they travel across the country, they witness how society has changed after being stripped of all reason and logic. And it soon becomes apparent that Sophia may hold a secret pertaining to the fall of humanity…”

The novel was illustrated by Hideyuki Kikuchi, published by Asahi Sonorama Publications, and released in the United States by Dark Horse Comics.

In some markets, it is known as ‘Invader Summer’ and ‘The Wind of Amnesia.’ The company formerly known as Manga Entertainment previously held the license for the United Kingdom and Australia.

Sony’s PS5 VR Headset, PSVR2, Is Not Selling Well

Since launching in February, Sony’s high-end virtual reality peripheral for the PlayStation 5 has underperformed as far as sales numbers go. The PSVR2, the successor to PS4’s headset from 2016, has sold less than 300,000 units.

Bloomberg is reporting that the IDC estimates that Sony’s latest virtual reality headset may have as many as 270K PSVR2 kits by the end of March (tomorrow). In contrast, according to Forbes, the PS5 has sold around 32 million. The PSVR2 adoption rate is less than 1%.

Sony’s PSVR2 had several things against it when battling for consumer dollars. For one, the headset is priced at $549. Another issue is that it launched during a time of economic inflation. The PSVR2 was also tethered exclusively to the PlayStation 5. Competing headsets like Meta’s Oculus Quest 2 were more flexible and less expensive.

In the Oculus Quest 2’s first year, it sold 14.8 million units. However, comparing Meta’s hardware with Sony’s may be unfair. The Quest 2 was less of a technological powerhouse, but it did launch when more people were stuck at home during the pandemic.

Sony did come out of the gate swinging, thankfully. The PSVR2 launched with over 40 games. Some of them, from what we’ve seen, is quite impressive. However, justifying paying for an add-on accessory that is more expensive than the console it is tied to doesn’t make sense for the average person.

Sony must determine how to make the virtual reality device more appealing to budget-conscious gamers. Either reduce the price by 25% or allow the PSVR2 to be PC compatible. I share Forbe’s speculation that Sony will refuse to allow the headset to work on anything but Sony hardware.

I admit that the technical specifications for the PSVR2 have me interested in buying one. However, I found Sony’s lackluster support of the last VR headset. Although, that is probably due to a few third-party developers making intriguing games.

[Source: Bloomberg]

Paranormal Comedy Anime ‘Otaku Elf’ Will Stream To HiDive

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The 2019 paranormal comedy manga ‘Otaku Elf’ from creator Akihiko Higuchi has been picked up by the Japanese animation studio C2C for an anime adaptation. Set to be released in April 2023, Sentai Filmworks has acquired the license for a release in the United States through the HiDive streaming service.

“What happens when an elf gets isekai’d to our world,” asks HiDive on their website. “She becomes the local deity and centuries later, is reduced to a shut-in otaku much to the annoyance of the latest shrine priestess. Don’t miss out on the HIDIVE premiere of the Otaku Elf (Edomae Elf).”

The anime is directed by Takebumi Anzai and written by Shōgo Yasukawa. Akito Matsuda is composing the music for the animated series while Takeshi Oda acts as both the character designer and the character designer.

Yuka Ozaki (Magia Record) has been tapped to voice protagonist Koito Koganei while Ami Koshimizu (Sailor Moon Crystal) will take on the role of Elda.

You can watch the trailer below:

Anime Planet describes the synopsis as follows,

“Koganei Koito is a teenager who works as an attendant to the Takamimi Shrine. Rumors have it that a deity dwells within the shrine, but the actual resident is an immortal elf who found herself stuck on Earth some four hundred years ago. What’s more, the elf is a total shut-in who won’t go outside…and has developed a taste for video games! Now the attendants at the shrine have to cater to the elf’s love of the most modern gizmos–from handheld games to virtual reality headsets–in this charming fantasy comedy!”

Japanese singer Akari Nanawo sings the theme song “Kien Romance” while musician Cody Lee performs the ending song “Odoru Hikari.”

Kodansha releases the manga in Japan and serializes it in their ‘Shōnen Magazine Edge’ periodical. Seven Seas Entertainment acquired the rights to release Otaku Elf in the United States in 2021 for both print and digital versions.

GKids Announces ‘Unicorn Wars’ Blu-Ray Release

GKids announced that they are bringing the gory animated film ‘Unicorns Wars’ to Blu-ray in a special home video release. The DVD box set will include the film’s trailer and several other special features.

“The latest genre-bending animated feature for adults from Goya and Annecy Cristal-winning director Alberto Vásquez, Unicorn Wars will debut on Blu-ray May 9th, 2023 from GKIDS, with distribution by Shout! Factory,” GKids said on their website. “Vásquez’ use of a hyper-saturated color palate and iconography typically associated with children juxtaposes his exploration of religious zealotry, the tortured legacies of military fascism, and the depths of the soul.”

The bonus features include an interview with the movie director, a feature-length animatic, and the “Working in Blender” featurette.

GKids adds, “A provocative and darkly beautiful horror comedy described as Bambi meets Apocalypse Now, this critically acclaimed technicolor film featured in competition at the 2022 Annecy International Animation Film Festival, and was an official selection at BFI London, Animation is Film, and Fantastic Fest.”

You can watch the DVD trailer below:

The animated film features award-winning actor Ramón Barea as the narrator of the plot.

Gkids describes the synopsis as follows,

“For ages, teddy bears have been locked in an ancestral war against their sworn enemy, the unicorns, with the promise that victory will complete the prophecy and usher in a new era. Aggressive, confident teddy bear Bluet and his sensitive, withdrawn brother Tubby could not be more different. As the rigors and humiliation of teddy bear bootcamp turn to the psychedelic horrors of a combat tour in the Magic Forest, their complicated history and increasingly strained relationship will come to determine the fate of the entire war.”

A co-production of Spanish and French filmmakers, the film received funding from Eurimages, an organization that promotes the arts. It was produced by Iván Miñambres, Chelo Loureiro, and Nicolas Schmerkin.

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